So, how do we make sense of new media? How can we guard against our temptation to assume, our implicit sense, even, that everything in our experience of today’s emerging digital media is brand new and unprecedented? And how do we do that while also appreciating the things that really are new or unique to our current cultural context and moment in history?
We’re continuing our series of installments, focusing on what makes new media new. Or put another way, how new are new media, really?
We’re going to talk at length about new media. And in our first few installments we’re going to begin by thinking for a bit about what makes a medium new.
by David S Levine, Benjamin Peters
The Soviet experience suggests something really important for us today, which is that networks are entirely compatible with surveillance. And many of our favorite things to talk about, then, peer-to-peer production, or end-to-end intelligence, kind of missed the point that I think is now obvious. That whether you’re the NSA or Google or whoever else…you’re a general secretariat, seeking to privatize our power, and you are surveilling us, because you have a network in place.
by Paola Antonelli
I’m here today to talk to you about food and design. About what’s cooking in design, and what’s designing in food. But most of all I’m here to recommend to you never to let designers decide what you will eat.
What comes to mind at the thought of tomorrow’s meal is that tomorrow’s meal has to be a key that unlocks the potential of everybody. Young children who are going without food in Africa. Young women who are suffering in different ways because of lack of food, because of lack of opportunity. Tomorrow’s meal has to be that key that unlocks that. Tomorrow’s meal has to be a driver of socioeconomic development. Tomorrow’s meal has to be a peacemaker that unifies us all.