To have the hunter tell it, Africa is full of meek stories about desperation and despair. So when artists like myself offer an alternate vision, often we’re asked to defend our imagination. Why do we feel we have the luxury to create? Shouldn’t we be dealing with more important issues like corruption, or war, or AIDS, or poverty?
I teach my students that design is ongoing risky decision-making. And what I mean by ongoing is that you never really get to stop questioning the assumptions that you're making and that are underlying what it is that you're creating—those fundamental premises. Read more →