One of the things I really want out of art, what I see the job of the artist to be is to try to learn how to see the historical moment that you find yourself living in. I mean that very simply and I mean it very literally. How do you see the world around you?
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If you look at the appeal that Silicon Valley has to a lot of us, and to a lot of public institutions especially, I think you can understand that the reason for that appeal is very simple. They can offer services that work, that work in a very effective manner, and that are offered more or less either very cheap or are mostly offered for free.
One of the challenges of building new technologies is that we often want them to solve things that have been very socially difficult to solve. Things that we don’t have answers to, problems that we don’t know how we would best go about it in a socially responsible way.
[The] question of what happens when blackness enters the frame can kind of neatly encapsulate the ways I’ve been thinking and trying to talk about surveillance for the last few years.
I don’t want to live in a world where ISIS is scarier than hackers, especially in 2016. We previously held the title in 2013, ’14, and ’15. And to be honest I was a little bit disappointed when I saw this result. So I thought I’m in my 40s now, there’s a lot of young hackers in the audience, and I’m not going to pass the baton to you guys unless we have that number one spot back in our pile.
In addition to freedom to connect, there also needs to be the ability to connect, and that we need to model best practice at home and around the world, and the policies that relate to that.
For me, the notion of urbanizing technology really is part of a larger sort of effort that I’ve been working on for a very long time. … [T]echnologies that enable interactive domains deliver, give, their technical capacities through ecologies that are more than just the technical capacity itself.
We’ve already been through several situations where new technologies come along. The Industrial Revolution removed a large number of jobs that had been done by hand, replaced them with machines. But the machines had to be built, the machines had to be operated, the machines had to be maintained. And the same is true in this online environment.
We’re at a thousand dollars per gigabyte, which is what current disk drives cost. The twenty terabytes that people estimate in ASCII that’s in the Library of Congress is just twenty million dollars. So that’s not very much money in terms of being able to store and retrieve [crosstalk] the Library of Congress.
In an environment where everybody can pick up everybody’s tools, we’re all weirdly empowered now. And I mean kind of weird in an almost fey sense like, our powers are weird, they make us weird, and they make our our conflicts weird. It’s again that idea that our tools are interacting with our human flaws in really really interesting ways.