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Ethical Machines episode 3: Alex J. Champandard and Gene Kogan

For any artists that are work­ing in this field now, if I was good at paint­ing I’d prob­a­bly be look­ing at how to find styles that work well with these kind of rep­re­sen­ta­tions and make them eas­i­ly automat­able or trans­fer­able so that if I had fans as an artist they could say, Hey, I would like to have a pic­ture of my cat paint­ed.”

Brooklyn Talks: Iggy Pop and Jeremy Deller with Tom Healy

I use my body, as a lot of peo­ple do that work in pub­lic, as a kind object of com­merce, frankly. When I go out and do a gig, some­body has to pay for the pres­ence. And that’s a cer­tain gig. When you’re still push­ing a hype like that, you lack cul­tur­al weight until you get to the end of that sto­ry where every­body knows you real­ly don’t have to any­more except for an inte­ri­or rea­son.

Kenneth Goldsmith at The Influencers 2016

I think that what I want to say is that the polemics around the dis­course of the Web are too bina­ry. I think that one of the prob­lems that we have in the­o­riz­ing the Web is that we tend to mor­al­ize it in bina­ries. I get it. It’s bad. The Web is bad for you. Or the sort of free cul­ture is always like, It’s real­ly good. It’s great. Free cul­ture is great.” It’s nei­ther.

The Conversation #40 — Mary Mattingly

It’s inter­est­ing and scary to think about an Earth that could be com­plete­ly con­trolled by humans, but it seems like it’s def­i­nite­ly pos­si­ble. I could find fun think­ing about liv­ing under the sea or all the places that humans real­ly haven’t been able to sus­tain them­selves in very well. Like, if we could real­ly get con­trol of that. I mean, it’s def­i­nite­ly a dark future, but I think some­thing that I could embrace if we did go there.

Framing Art with Larp

I start­ed out by want­i­ng to get rid of what trou­bled me with larp­ing. And I did that by cre­at­ing some­thing new. I not only end­ed up with this arts col­lec­tive respon­si­ble for a series of per­for­mances, but I was also find­ing my gates to a whole new field of artis­tic research.

The Case Against Cynicism,” Hilton Als RISD 2016 Commencement Address

[We] could hope because we’d seen what it had done for us. We were refugees from the world’s cyn­i­cism because we’d grown up in belief, and knew just as our moth­ers knew, that each act of mak­ing is born out of hope because there, in the rank earth where cyn­i­cism flow­ers, noth­ing grows.

What’s Cooking Designing?

I’m here today to talk to you about food and design. About what’s cook­ing in design, and what’s design­ing in food. But most of all I’m here to rec­om­mend to you nev­er to let design­ers decide what you will eat.

The Conversation #31 — Claire Evans

I think if there are peo­ple who are able to take a step back­wards, take that prover­bial zoom out, and real­ize that everybody’s kind of doing the same thing in dif­fer­ent ways, and be able to step from one per­spec­tive to the oth­er and ask dif­fer­ent kinds of ques­tions based on where they are at any giv­en moment time, then it just becomes a game. I think it becomes joy­ful and engag­ing. I mean, I’m not inter­est­ed in find­ing the answer to any­thing. I don’t think there is the answer to any­thing.

Nudes and N00dz

What we’re talk­ing about today is how social media, and specif­i­cal­ly Facebook because we’ve found that they have the strictest poli­cies around this top­ic, how these social media com­pa­nies cen­sor art, and specif­i­cal­ly nude art. We believe that nude art is an impor­tant part of our cul­ture, an impor­tant part of our his­to­ry, and an impor­tant part of our present.

The Conversation #25 — Frances Whitehead

Some of my artist friends think what I’m doing isn’t art, and I’ve giv­en up on art. It’ll take care of itself. You know. I mean it’s always been there, it will always be there, and we always know that new art nev­er looks like art at first, ever. So why should this be any dif­fer­ent? We just have to trust the process. And I would say that must be true for every oth­er dis­ci­pline.

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