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We Need A New Image of Africa

To have the hunter tell it, Africa is full of meek sto­ries about des­per­a­tion and despair. So when artists like myself offer an alter­nate vision, often we’re asked to defend our imag­i­na­tion. Why do we feel we have the lux­u­ry to cre­ate? Shouldn’t we be deal­ing with more impor­tant issues like cor­rup­tion, or war, or AIDS, or pover­ty?

The Conversation #55 — Ed Finn

The Center, one of our core goals, our mis­sion state­ment, is to get peo­ple think­ing more cre­ative­ly and ambi­tious­ly about the future. What I mean when I talk about that is that we need to come up with bet­ter sto­ries about the future. If you want to build a bet­ter world you have to imag­ine that world first.

Invisible Images of Surveillance

One of the things I real­ly want out of art, what I see the job of the artist to be is to try to learn how to see the his­tor­i­cal moment that you find your­self liv­ing in. I mean that very sim­ply and I mean it very lit­er­al­ly. How do you see the world around you?

The Monkey Selfie” Case: Can Non‐Humans Hold Copyrights?

Naruto, then 3 years old, came up and picked up one of his cam­eras and start­ed look­ing at it. And he made the con­nec­tion… By Mr. Slater’s own admis­sion he made the con­nec­tion between push­ing the shut­ter release but­ton and the change to his reflec­tion in the lens when the aper­ture opened and closed.

Creative Resistance: The Role of the Artist

Today, in this coun­try, we are suf­fer­ing from a mass con­trac­tion of the heart. And I firm­ly believe that it is artists that can reopen the heart of America. It is our duty and our respon­si­bil­i­ty to do this. The day after the elec­tion I was ter­ri­fied. I didn’t want to get out of my bed. I sat in my bed­room cry­ing. But I remem­bered the young women that I had told just the night before that it was going to be okay. So I did the only thing that I could do. I got up and I got to work.

Virtual Futures Podcast #5: Electronic Waste, with Dani Ploeger

This idea of (re)performing the posthu­man was pret­ty much based on a desire to talk about the cyborg ten years after, or fif­teen years, twen­ty years after the Cyborg Manifesto and Katherine Hayles’ book became famous. And to really—yeah, to talk about maybe the nor­mal cyborg, the nor­mal tech­nol­o­gized body. You know, tech­nol­o­gy in the every­day and its impli­ca­tions for the way we per­ceive and expe­ri­ence our bod­ies.

Virtual Futures Podcast #4: Emoji Delights, with Carla Gannis

AR mixed real­i­ty has more poten­tial, I think. With vir­tu­al real­i­ty, you’re just some­where else alto­geth­er, right? And VR is all the rage right now. But in terms of dis­sem­i­nat­ing infor­ma­tion, in terms of keep­ing us in touch still with phys­i­cal, you know. I mean, it’s all real life now. I don’t even dis­tin­guish IRL/URL now. I mean it’s all real life. But like, how do we main­tain a foot in both simul­ta­ne­ous­ly? Both the vir­tu­al and the phys­i­cal.

Virtual Futures Podcast #2: Cybersex, with Dr. Trudy Barber

So then I thought right, what hap­pens with an artist who draws the body, who deals with the body all the time? I know, they have affairs with the life mod­el, don’t they? They have their muse. So I thought right, let’s take this, let’s look at tech­nol­o­gy, let’s have an affair with this tech. Let’s try and put the sex into it. Let’s sex up the tech­nol­o­gy.

I Dreamed a Dream: Politics in the Age of Mass Art Production

Let’s ask a very sim­ple ques­tion. Why are there so many art projects today? Because we live in the world of mass art pro­duc­tion. Basically every­one is an artist nowa­days. Or at least he or she has an artis­tic project. We can speak of a surge in the cre­ation of art. The pro­duc­tion of art is pro­lif­er­at­ing.

Ethical Machines episode 3: Alex J. Champandard and Gene Kogan

For any artists that are work­ing in this field now, if I was good at paint­ing I’d prob­a­bly be look­ing at how to find styles that work well with these kind of rep­re­sen­ta­tions and make them eas­i­ly automat­able or trans­fer­able so that if I had fans as an artist they could say, Hey, I would like to have a pic­ture of my cat paint­ed.”

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