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The Monkey Selfie” Case: Can Non-Humans Hold Copyrights?

Naruto, then 3 years old, came up and picked up one of his cam­eras and start­ed look­ing at it. And he made the con­nec­tion… By Mr. Slater’s own admis­sion he made the con­nec­tion between push­ing the shut­ter release but­ton and the change to his reflec­tion in the lens when the aper­ture opened and closed.

Creative Resistance: The Role of the Artist

Today, in this coun­try, we are suf­fer­ing from a mass con­trac­tion of the heart. And I firm­ly believe that it is artists that can reopen the heart of America. It is our duty and our respon­si­bil­i­ty to do this. The day after the elec­tion I was ter­ri­fied. I didn’t want to get out of my bed. I sat in my bed­room cry­ing. But I remem­bered the young women that I had told just the night before that it was going to be okay. So I did the only thing that I could do. I got up and I got to work.

Virtual Futures Podcast #5: Electronic Waste, with Dani Ploeger

This idea of (re)performing the posthu­man was pret­ty much based on a desire to talk about the cyborg ten years after, or fif­teen years, twen­ty years after the Cyborg Manifesto and Katherine Hayles’ book became famous. And to really—yeah, to talk about maybe the nor­mal cyborg, the nor­mal tech­nol­o­gized body. You know, tech­nol­o­gy in the every­day and its impli­ca­tions for the way we per­ceive and expe­ri­ence our bod­ies.

Virtual Futures Podcast #4: Emoji Delights, with Carla Gannis

AR mixed real­i­ty has more poten­tial, I think. With vir­tu­al real­i­ty, you’re just some­where else alto­geth­er, right? And VR is all the rage right now. But in terms of dis­sem­i­nat­ing infor­ma­tion, in terms of keep­ing us in touch still with phys­i­cal, you know. I mean, it’s all real life now. I don’t even dis­tin­guish IRL/URL now. I mean it’s all real life. But like, how do we main­tain a foot in both simul­ta­ne­ous­ly? Both the vir­tu­al and the phys­i­cal.

Virtual Futures Podcast #2: Cybersex, with Dr. Trudy Barber

So then I thought right, what hap­pens with an artist who draws the body, who deals with the body all the time? I know, they have affairs with the life mod­el, don’t they? They have their muse. So I thought right, let’s take this, let’s look at tech­nol­o­gy, let’s have an affair with this tech. Let’s try and put the sex into it. Let’s sex up the tech­nol­o­gy.

I Dreamed a Dream: Politics in the Age of Mass Art Production

Let’s ask a very sim­ple ques­tion. Why are there so many art projects today? Because we live in the world of mass art pro­duc­tion. Basically every­one is an artist nowa­days. Or at least he or she has an artis­tic project. We can speak of a surge in the cre­ation of art. The pro­duc­tion of art is pro­lif­er­at­ing.

Ethical Machines episode 3: Alex J. Champandard and Gene Kogan

For any artists that are work­ing in this field now, if I was good at paint­ing I’d prob­a­bly be look­ing at how to find styles that work well with these kind of rep­re­sen­ta­tions and make them eas­i­ly automat­able or trans­fer­able so that if I had fans as an artist they could say, Hey, I would like to have a pic­ture of my cat paint­ed.”

Brooklyn Talks: Iggy Pop and Jeremy Deller with Tom Healy

I use my body, as a lot of peo­ple do that work in pub­lic, as a kind object of com­merce, frankly. When I go out and do a gig, some­body has to pay for the pres­ence. And that’s a cer­tain gig. When you’re still push­ing a hype like that, you lack cul­tur­al weight until you get to the end of that sto­ry where every­body knows you real­ly don’t have to any­more except for an inte­ri­or rea­son.

Kenneth Goldsmith at The Influencers 2016

I think that what I want to say is that the polemics around the dis­course of the Web are too bina­ry. I think that one of the prob­lems that we have in the­o­riz­ing the Web is that we tend to mor­al­ize it in bina­ries. I get it. It’s bad. The Web is bad for you. Or the sort of free cul­ture is always like, It’s real­ly good. It’s great. Free cul­ture is great.” It’s nei­ther.

The Conversation #40 — Mary Mattingly

It’s inter­est­ing and scary to think about an Earth that could be com­plete­ly con­trolled by humans, but it seems like it’s def­i­nite­ly pos­si­ble. I could find fun think­ing about liv­ing under the sea or all the places that humans real­ly haven’t been able to sus­tain them­selves in very well. Like, if we could real­ly get con­trol of that. I mean, it’s def­i­nite­ly a dark future, but I think some­thing that I could embrace if we did go there.

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