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What’s Cooking Designing?

I’m here today to talk to you about food and design. About what’s cook­ing in design, and what’s design­ing in food. But most of all I’m here to rec­om­mend to you nev­er to let design­ers decide what you will eat.

The Conversation #25 — Frances Whitehead

Some of my artist friends think what I’m doing isn’t art, and I’ve given up on art. It’ll take care of itself. You know. I mean it’s always been there, it will always be there, and we always know that new art nev­er looks like art at first, ever. So why should this be any dif­fer­ent? We just have to trust the process. And I would say that must be true for every oth­er dis­ci­pline.

John Waters RISD 2015 Commencement Keynote Address

But how can you be so dis­ci­plined?” friends always ask when I tell them my job is to get up every day at 6 AM Monday to Friday and think up insane stuff. Easy. If I didn’t work this hard for myself, I’d have to go work for some­body else. Plus, I can go to my office one room away from my bed­room in my own house dressed in my under­pants if I want to.

Maira Kalman RISD 2013 Commencement Keynote Address

We live between despair and hope. No one knows why we are here, and noth­ing makes sense. Don’t for­get that. You could ask your­self, What is the point?” until you go crazy, lit­er­al­ly. So, the start­ing point is to not know. And then to pro­ceed.

Bruce Mau RISD 2014 Commencement Keynote Address

Work on what you love. This is such an easy thing to say, and it seems so obvi­ous. What else should we work on? What else could we work on? And yet the prob­lem of align­ing our pas­sion and our pro­duc­tion, our love and our work, remains one of the great life chal­lenges that we face as artists, as design­ers, and as cit­i­zens.

The Internet of Damned Things

We have to be aware that when you cre­ate mag­ic or occult things, when they go wrong they become hor­ror. Because we cre­ate tech­nolo­gies to soothe our cul­tur­al and social anx­i­eties, in a way. We cre­ate the­se things because we’re wor­ried about secu­ri­ty, we’re wor­ried about cli­mate change, we’re wor­ried about threat of ter­ror­ism. Whatever it is. And the­se devices provide a kind of stop­gap for help­ing us feel safe or pro­tect­ed or what­ev­er.

Safiya Noble at Biased Data

I often try to tell peo­ple that Google is not pro­vid­ing infor­ma­tion retrieval algo­rithms, it’s pro­vid­ing adver­tis­ing algo­rithms. And that is a very impor­tant dis­tinc­tion when we think about what kind of infor­ma­tion is avail­able in the­se corporate-controlled spaces.

Biased Data Panel Discussion

I think that we need a rad­i­cal design change. And I might ask if I were teach­ing an HCI class or design class with you, I would say, How are you going to design this so that not one life is lost?” What if that were the design imper­a­tive rather than what’s your IPO going to be?

Four Trends for the Digital World

This quote’s from Andy Warhol. He was look­ing at America and say­ing America’s dif­fer­ent. He’s say­ing, Well, Elizabeth Taylor’s drink­ing Coke and I’m drink­ing Coke and the bum on the street’s drink­ing Coke, and it’s all the same thing.” For the first time in his­to­ry, mass mar­ket cul­ture has allowed us all to enjoy the same thing. This is not cham­pag­ne. The bum on the street can’t afford cham­pag­ne.

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