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The Oppenheimer Moment

Where did this evil stuff come from? Are we evil? I’m per­fect­ly will­ing to stip­u­late you are not evil. Neither is your boss evil. Nor is Larry Page or Mark Zuckerberg or Bill Gates. And yet the results of our work, our best most altru­is­tic work, often turns evil when it’s deployed in the larg­er world. We go to work every day, gen­uine­ly expect­ing to make the world a bet­ter place with our pow­er­ful tech­nol­o­gy. But some­how, evil is sneak­ing in despite our good inten­tions.

The Conversation #58 – Jason Kelly Johnson

I think our work is much more inter­est­ed in ques­tion­ing the notion that archi­tec­ture is a sta­t­ic enti­ty. Part of our think­ing in terms of archi­tec­ture is how we make a build­ing breathe. How do we give a build­ing a kind of like, almost a ner­vous sys­tem.

Living in Information

The fram­ing of what we design is very impor­tant to how we go about it. We have not been fram­ing these things as con­texts. We’ve been fram­ing them as prod­ucts, ser­vices, and a whole oth­er series of terms that are— Tools, for exam­ple. And these are things that are most­ly trans­ac­tion­al. They’re not things that are meant to be inhab­it­ed.

Design for Diplomacy: Breaking Down Cultural Divides

We as design­ers have an abil­i­ty to pro­vide per­spec­tive, to bring focus, and to share the tools that we use on a dai­ly basis to align a group of dis­parate voic­es for a cause that is greater than our own.

Where Are The Black Designers?

How many black design­ers do you know? If you find that there’s not many or you don’t know any at all, that’s actu­al­ly per­fect­ly okay. That’s fine. And part of the rea­son­ing I think behind this is that you know, we don’t real­ly know where they are. We don’t see them because they’re not reflect­ed in our design media.

AI and Ethical Design

I teach my stu­dents that design is ongo­ing risky decision-making. And what I mean by ongo­ing is that you nev­er real­ly get to stop ques­tion­ing the assump­tions that you’re mak­ing and that are under­ly­ing what it is that you’re creating—those fun­da­men­tal premis­es.

Evgeny Morozov on the Kingdom of Geeks

There is this very bizarre alliance between world-changing geeks on the one hand and pol­i­cy­mak­ers who only care about out­comes. They no longer care about how those out­comes are arrived at. They have stripped pol­i­tics of all mean­ing. All they want is to get peo­ple to do the right thing. They don’t care why they do it.

What’s Cooking Designing?

I’m here today to talk to you about food and design. About what’s cook­ing in design, and what’s design­ing in food. But most of all I’m here to rec­om­mend to you nev­er to let design­ers decide what you will eat.

The Conversation #25 — Frances Whitehead

Some of my artist friends think what I’m doing isn’t art, and I’ve giv­en up on art. It’ll take care of itself. You know. I mean it’s always been there, it will always be there, and we always know that new art nev­er looks like art at first, ever. So why should this be any dif­fer­ent? We just have to trust the process. And I would say that must be true for every oth­er dis­ci­pline.

John Waters RISD 2015 Commencement Keynote Address

But how can you be so dis­ci­plined?” friends always ask when I tell them my job is to get up every day at 6 AM Monday to Friday and think up insane stuff. Easy. If I didn’t work this hard for myself, I’d have to go work for some­body else. Plus, I can go to my office one room away from my bed­room in my own house dressed in my under­pants if I want to.

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