Archive (Page 1 of 3)

How an Algorithmic World Can Be Undermined

All they have to do is write to jour­nal­ists and ask ques­tions. And what they do is they ask a jour­nal­ist a ques­tion and be like, What’s going on with this thing?” And jour­nal­ists, under pres­sure to find sto­ries to report, go look­ing around. They imme­di­ate­ly search some­thing in Google. And that becomes the tool of exploita­tion.

What Algorithms Taught Me About Forgiveness

I decid­ed I want­ed to do some account­abil­i­ty stud­ies about algo­rithms in our lives. And it’s hard to study the news­feed in a quan­ti­ta­tive way, and I also want­ed some­thing with high­er stakes. So I start­ed with an algo­rithm that is used in the crim­i­nal jus­tice sys­tem to pre­dict whether a per­son is like­ly to com­mit a future crime.

Artificial Intelligence is Hard to See: Social & Ethical Impacts of AI

The big con­cerns that I have about arti­fi­cial intel­li­gence are real­ly not about the Singularity, which frankly com­put­er sci­en­tists say is…if it’s pos­si­ble at all it’s hun­dreds of years away. I’m actu­al­ly much more inter­est­ed in the effects that we are see­ing of AI now.

Big Data Bodies: Machines and Algorithms in the World

I’m inter­est­ed in data and dis­crim­i­na­tion, in the things that have come to make us unique­ly who we are, how we look, where we are from, our per­son­al and demo­graph­ic iden­ti­ties, what lan­guages we speak. These things are effec­tive­ly incom­pre­hen­si­ble to machines. What is gen­er­al­ly cel­e­brat­ed as human diver­si­ty and expe­ri­ence is trans­formed by machine read­ing into some­thing absurd, some­thing that marks us as dif­fer­ent.

Ethical Machines episode 3: Alex J. Champandard and Gene Kogan

For any artists that are work­ing in this field now, if I was good at paint­ing I’d prob­a­bly be look­ing at how to find styles that work well with these kind of rep­re­sen­ta­tions and make them eas­i­ly automat­able or trans­fer­able so that if I had fans as an artist they could say, Hey, I would like to have a pic­ture of my cat paint­ed.”

Are We Living Inside an Ethical (and Kind) Machine?

This is a moment to ask as we make the plan­et dig­i­tal, as we total­ly envel­op our­selves in the com­put­ing envi­ron­ment that we’ve been build­ing for the last hun­dred years, what kind of dig­i­tal plan­et do we want? Because we are at a point where there is no turn­ing back, and get­ting to eth­i­cal deci­sions, val­ues deci­sions, deci­sions about democ­ra­cy, is not some­thing we have talked about enough nor in a way that has had impact.

Sleepwalking into Surveillant Capitalism, Sliding into Authoritarianism

We have increas­ing­ly smart, sur­veil­lant per­sua­sion archi­tec­tures. Architectures aimed at per­suad­ing us to do some­thing. At the moment it’s click­ing on an ad. And that seems like a waste. We’re just click­ing on an ad. You know. It’s kind of a waste of our ener­gy. But increas­ing­ly it is going to be per­suad­ing us to sup­port some­thing, to think of some­thing, to imag­ine some­thing.

The Algorithmic Spiral of Silence

A cou­ple of major plat­forms like Facebook and Twitter, YouTube, have become in many places around the world a de fac­to pub­lic sphere. Especially in coun­tries that have less than free Internet, less than free mass media. And these coun­tries have tran­si­tioned from a very con­trolled pub­lic sphere to a commercially-run one like Facebook.

Surveillance and Race Online

[The] ques­tion of what hap­pens when black­ness enters the frame can kind of neat­ly encap­su­late the ways I’ve been think­ing and try­ing to talk about sur­veil­lance for the last few years.

Forbidden Research: Why We Can’t Do That

Quite often when we’re ask­ing these dif­fi­cult ques­tions we’re ask­ing about ques­tions where we might not even know how to ask where the line is. But in oth­er cas­es, when researchers work to advance pub­lic knowl­edge, even on uncon­tro­ver­sial top­ics, we can still find our­selves for­bid­den from doing the research or dis­sem­i­nat­ing the research.

Page 1 of 3