I’m interested in data and discrimination, in the things that have come to make us uniquely who we are, how we look, where we are from, our personal and demographic identities, what languages we speak. These things are effectively incomprehensible to machines. What is generally celebrated as human diversity and experience is transformed by machine reading into something absurd, something that marks us as different.
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For any artists that are working in this field now, if I was good at painting I’d probably be looking at how to find styles that work well with these kind of representations and make them easily automatable or transferable so that if I had fans as an artist they could say, “Hey, I would like to have a picture of my cat painted.”
This is a moment to ask as we make the planet digital, as we totally envelop ourselves in the computing environment that we’ve been building for the last hundred years, what kind of digital planet do we want? Because we are at a point where there is no turning back, and getting to ethical decisions, values decisions, decisions about democracy, is not something we have talked about enough nor in a way that has had impact.
We have increasingly smart, surveillant persuasion architectures. Architectures aimed at persuading us to do something. At the moment it’s clicking on an ad. And that seems like a waste. We’re just clicking on an ad. You know. It’s kind of a waste of our energy. But increasingly it is going to be persuading us to support something, to think of something, to imagine something.
A couple of major platforms like Facebook and Twitter, YouTube, have become in many places around the world a de facto public sphere. Especially in countries that have less than free Internet, less than free mass media. And these countries have transitioned from a very controlled public sphere to a commercially-run one like Facebook.
[The] question of what happens when blackness enters the frame can kind of neatly encapsulate the ways I’ve been thinking and trying to talk about surveillance for the last few years.
Quite often when we’re asking these difficult questions we’re asking about questions where we might not even know how to ask where the line is. But in other cases, when researchers work to advance public knowledge, even on uncontroversial topics, we can still find ourselves forbidden from doing the research or disseminating the research.
The United States plants more than 170 million acres of corn and soybeans a year, more than any country in the world. And the primary mechanism in the US that we use to subsidize agriculture is actually called the Federal Crop Insurance Program. So, the crop insurance program in the US is also the largest such program globally, with over $100 billion in liabilities annually. So it’s a very big program.
There’s already a kind of cognitive investment that we make, you know. At a certain point, you have years of your personal history living in somebody’s cloud. And that goes beyond merely being a memory bank, it’s also a cognitive bank in some way.
A lot of the science fiction I love the most is not about these big questions. You read a book like The Diamond Age and the most interesting thing in The Diamond Age is the mediatronic chopsticks, the small detail that Stephenson says okay, well if you have nanotechnology, people are going to use this technology in the most pedestrian, kind of ordinary ways.