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Sentimental Violence

presented by John Steppling

Irony is like sen­ti­men­tal­i­ty, a kind of vio­lence to the form, to the nar­ra­tive. And in a sense, these days we prob­a­bly need a new term because irony is insuf­fi­cient. It is the post-ironic moment. It is very hard in a vocab­u­lary that has been so medi­at­ed and coopt­ed by mar­ket­ing, it is very hard for peo­ple to not be iron­ic, to not be snarky and sarcastic.

Knutepunkt 2017 Keynote: Present, by Eleanor Saitta

presented by Eleanor Saitta

I think of larp in a cou­ple dif­fer­ent ways. And one of the ways that I think of it is as sto­ry­telling for the net­work age. This is sto­ry­telling in the first-person present tense plur­al, and it is not very often that human­i­ty comes up with a new tense in which to tell sto­ries. That’s actu­al­ly kind of a big deal.

Disposable Life: David Theo Goldberg

presented by David Theo Goldberg

I’m not here going to think aloud about these var­i­ous con­tes­ta­to­ry forms of evidence-giving, although much might be said about that in rela­tion to think­ing about vio­lence. But rather to think about the Michael Brown shoot­ing in Ferguson, Missouri and the kinds of police response to it in rela­tion to the his­to­ry of vio­lence and the way in which race shapes said his­to­ry of vio­lence in a coun­try like the United States…

Disposable Life: Étienne Balibar

presented by Étienne Balibar

It’s not the case of course that any con­tem­po­rary philoso­pher or pro­fes­sor of phi­los­o­phy has been par­tic­u­lar­ly deal­ing with ques­tions of polit­i­cal the­o­ry. I nev­er thought about vio­lence. But I want to recall the moment in which I specif­i­cal­ly start­ed to sys­tem­at­i­cal­ly work on that.

Disposable Life: Jean Franco

presented by Jean Franco

I sup­pose Foucault has to be cred­it­ed with talk­ing about dis­pos­able life. And it’s inter­est­ing to me that at the very moment when he was giv­ing the lec­tures on this top­ic, Henry Kissinger in the United States was admit­ting, or pub­lish­ing, the results of the com­mis­sion on ster­il­iza­tion. The idea was that ster­il­iza­tion should be encour­aged in Third World coun­tries in order to reg­u­late the population.

Disposable Life: Ananya Roy

presented by Ananya Roy

I think what is par­tic­u­lar­ly strik­ing about the ques­tion of dis­pos­able lives in the 21st cen­tu­ry is what seems to be a new glob­al com­mon sense about pover­ty, the ways in which pover­ty and par­tic­u­lar­ly poor oth­ers have become vis­i­ble. And how that in turn, par­tic­u­lar­ly for mil­len­ni­als in the Global North—college stu­dents, young pro­fes­sion­als, so-called ordi­nary glob­al cit­i­zens of the world—how this has mobi­lized them to action.

Disposable Life: Carol Gluck

presented by Carol Gluck

I’ve been think­ing about dis­pos­able life and the mean­ing that might have in soci­eties today. And I decid­ed that the kind of dis­pos­able life that most con­cerns me is the kind that we either res­olute­ly don’t see, ignore, or neglect. Or the kind that we do see but can’t seem to deal with. 

Disposable Life: Cynthia Enloe

presented by Cynthia Enloe

When I think about dis­pos­abil­i­ty, I think about name­less­ness. I think about whose pic­tures are tak­en in refugee camps. Or whose stones with­out names you look at at a mass grave, or just a ditch for that mat­ter. To be dis­pos­able is to be name­less in some­body’s eyes.

Disposable Life: Slavoj Žižek

presented by Slavoj Žižek

Under cap­i­tal­ism, the prob­lem is not there are evil peo­ple here and there. The prob­lem is the basic log­ic of the sys­tem as it was devel­oped by Zygmunt Bauman and many oth­ers. Some peo­ple even claim that if you look in a non­hu­man­i­tar­i­an way just at the pure log­ic of today’s glob­al cap­i­tal­ism, you arrive at a ratio even some peo­ple claim of 2080%.

Disposable Life: Griselda Pollock

presented by Griselda Pollock

At the inter­sec­tion of the pol­i­tics of art or lit­er­a­ture or film and polit­i­cal the­o­ry, I’ve been think­ing about dis­pos­able life through a num­ber of lens­es, par­tic­u­lar­ly through work on the Holocaust and work that I’ve been doing with Max Silverman on a slight­ly dif­fer­ent ele­ment of it called con­cen­tra­tion­ary memory.” 

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