So here’s what happened. If you tell people you’re going to have this super-open, absolutely non-commercial, money-free thing, but it has to survive in this environment that’s based on money, where it has to make money, how does anybody square that circle? How does anybody do anything? And so companies like Google that came along, in my view were backed into a corner. There was exactly one business plan available to them, which was advertising.
Reverse Engineering Netflix
presented by Ian Bogost
But most interesting was just going bonkers with this data in "gonzo mode" and incorporating as much as possible: Viral Plague Sci-Fi Movies Based on Children's Books Set in Europe for Ages 8 to 10; or First Love Slice of Life Musicals Set in Europe From the 19820s For Hopeless Romantics; Bounty-Hunter Fantasy Movies Based on Books About Cats. Read more →
Emily Bell on Elusive Objectivity
presented by Emily Bell
This idea of control is so baked into the journalistic psychology that actually this articulation, done in a highly-controlled environment with an advertising agency, is one which even though it’s not new to the open Web is still very very very new to journalism. And what we don’t have at the moment is anything like a balancing investment in the kinds of things which allow us to participate in the crowd.