So then I thought right, what happens with an artist who draws the body, who deals with the body all the time? I know, they have affairs with the life model, don’t they? They have their muse. So I thought right, let’s take this, let’s look at technology, let’s have an affair with this tech. Let’s try and put the sex into it. Let’s sex up the technology.
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We are here to talk about fucking machines. In London, on a foggy evening, on a Tuesday, for yet another debate about fucking machines. Another curated discussion underlined by our own human insecurity about versions of us in silica. Fucking anthropomorphic fucking machines. Machines that fuck us. And let’s face it, machines are already fucking us, or so we seem to be told.
I have a few examples of things that are starting to happen. And you can see that AI normally stands for artificial intelligence, but I’ve often concluded it stands for “artificial idiot.” And the reason is very simple. It turns out that these systems are good, but they’re good in kind of narrow ways.
One of the big things that we’re going to talk about here is paraphilia. We’re going to talk about sexual deviance. We’re going to talk about the problem of people whose sexual desires lead to attraction to children, lead to attraction towards violent sex, lead to sexual transgression in one fashion or another.
In this talk I want to suggest that it’s never quite as simple as to say there is technology and there is art. That there is technology and there is culture. Clearly these things have always been in dialogue and are still. So this means this is a story about art and technology.