This idea of (re)performing the posthuman was pretty much based on a desire to talk about the cyborg ten years after, or fifteen years, twenty years after the Cyborg Manifesto and Katherine Hayles’ book became famous. And to really—yeah, to talk about maybe the normal cyborg, the normal technologized body. You know, technology in the everyday and its implications for the way we perceive and experience our bodies.
Dangerous speech, as opposed hate speech, is defined basically as speech that seeks to incite violence against people. And that’s the kind of speech that I’m really concerned about right now. That’s what we’re seeing on the rise in the United States, in Europe, and elsewhere.
I’m going to take you through a project that I started back home in Kenya that aims to collect vinyl that people just have chilling around at home. Basically we used to have the only pressing plant in East Africa between 1976 and 1990, and we used to press about a hundred and thirty thousand LPs every year. But right now there are lots of people who have those, but they’re not doing anything with them.