In 2011, the cultural critic Emily Nussbaum reflected on the flowering of online feminism through new publications, social media conversations, and digital organizing. But Nussbaum worried, even if you can expand the supply of who’s writing, will that actually change the influence of women’s voices in society? What if online feminism was just an echo chamber?
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The future is on the whole a wonderful thing because it will bring us new things that we haven’t seen before. And that’s why we stick around.
I don’t want to live in a world where ISIS is scarier than hackers, especially in 2016. We previously held the title in 2013, ’14, and ’15. And to be honest I was a little bit disappointed when I saw this result. So I thought I’m in my 40s now, there’s a lot of young hackers in the audience, and I’m not going to pass the baton to you guys unless we have that number one spot back in our pile.
When I announced the talk on Twitter, somebody immediately was like, “Lawful abuse, isn’t that a contradiction?” But if you think about it for just a moment it might seem to be a little bit more clear. After all, the legality of a thing is quite distinct from the morality of it.
What does it mean to be private when you’re in a place where you have no right to privacy but are ironically deprived of the thing that makes your privacy go away?
I think there’s something interesting about a discipline that historically is tied to political intrigue, to secrecy, being linked into this debate over what is good magic or true divine magic, and what is the work of demons. And I think there is something interesting to be said about the moment we are in right now and how states themselves kind of identify and invent existential threats to justify their own behavior.
I’ve always been really interested in this idea of whether or not we can predict hits. You speak to anyone who works in the entertainment industry, and everyone has their was stories of that film they were sure was going to become a hit which somehow became a miss. There are niche films which appeal to everyone, and perhaps more likely, films that are designed to appeal to everyone which somehow appeal to no one.