I think in order to understand why the Pirate Party came about as a political party, you have to look at the way that these file sharers—often minors—were being addressed by the political establishment and by the cultural lobbyists in particular. And what kinds of measures were being lobbied for by the cultural industries, especially the surveillance of people’s online behavior, which we’ve only learned probably years later was going to become a much broader problem for a fundamental rights.
When I announced the talk on Twitter, somebody immediately was like, “Lawful abuse, isn’t that a contradiction?” But if you think about it for just a moment it might seem to be a little bit more clear. After all, the legality of a thing is quite distinct from the morality of it.
When I was thinking about what I would talk about last night, I was reading more about Aaron. Unfortunately, I never got to meet him before he died, but I realized that he passed away on January 11, 2013, and that was actually the same day that I first heard from Edward Snowden.
My goal […] was to live in that tension, to empower makers, musicians, coders, and artists to continue to make wide‐eyed and yet still open‐hearted— One of my favorite authors, Ursula K. LeGuin calls this “the Grand Inquisitor’s Choice,” where you choose freedom without happiness, or happiness without freedom.
I figured I would give a presentation to better explain the work that I do and show, hopefully not too technical, but show how you can think about the way you go about your online life and the traces you leave online, and what this means for the work that you do, the people you interact with, and so on.