This idea of (re)performing the posthuman was pretty much based on a desire to talk about the cyborg ten years after, or fifteen years, twenty years after the Cyborg Manifesto and Katherine Hayles’ book became famous. And to really—yeah, to talk about maybe the normal cyborg, the normal technologized body. You know, technology in the everyday and its implications for the way we perceive and experience our bodies.
I’ve made it my goal as a computer poet not to imitate existing poetry but to find new ways for poetry to exist. So what I’m going to do in this talk is take this metaphor of exploring literature to its logical conclusion.
[T]otalizing perspectives which feed into mass‐surveillance were framed ideologically in the Romantic period. Not only that, but strategies for resisting these totalizing narratives also emerged in the Romantic period in forms that exhibit suggestive correspondences with contemporary hacking.