I’m interested in what happens when artists who are used to being artists decide that the best place for a work is within a space that seems to require an entirely different method of construction. And of course, there’s no harsh line between forms, and plenty of people exist both as highly‐proficient working artists and exceptionally skilled programmers. Tons of them, right? But I’m not talking so much about the skill or even background. Instead of I’m interested in mentality.
With Twitter bots and a lot of AI in pop science, it’s kind of like staying up late with your parents. Once you ask to be treated like a human being, you have to abide by a different set of rules. You have to be extra good. And the second you misbehave, you get sent to bed. Because you didn’t play by the rules that you were agreeing to be judged by.
When Darius asked me to speak I had to think a little bit about what I would say to people who make software agents, which I think is really really cool. And to me, in thinking about it, I think what is a bot to me? A bot is fundamentally a piece of software that involves personality. And I’ve had a long‐running interest in building physical robots that have personality of varying degrees. So I proposed to give a talk about that.
The commonly asked questions is, “Does this bot sound human?” And the question that I think is a little bit more interesting is why do so many bots that win the Loebner Prize sound pretty much exactly the same? They’re really similar to each other. Maybe they all have a particular type of default human being in mind, the people who design these bots. But if so, who is this particular mysterious default human being?