I’m interested in what happens when artists who are used to being artists decide that the best place for a work is within a space that seems to require an entirely different method of construction. And of course, there’s no harsh line between forms, and plenty of people exist both as highly‐proficient working artists and exceptionally skilled programmers. Tons of them, right? But I’m not talking so much about the skill or even background. Instead of I’m interested in mentality.
Archive (Page 3 of 4)
I came into doing work in an antidisciplinary space more or less by accident. Back when I was applying to university, the schools would send out these books talking about the different programs they offered and what each program was like. And for some reason I never read any of those books. I just applied to engineering school because I thought, “Oh, you know I like to make things, and engineering school’s where you make things.”
The scientific method was perfected in the crucible of natural science, and physics in particular. And an old professor of mine once told me that a good theoretical physicist is intrinsically a lazy person. And so these heuristics of ignoring superfluous detail, simplifying the problem to its barest essentials, maybe even making a caricature out of it, solving that simpler problem. If you can’t solve that simpler problem, solve an even simpler problem. This actually works in physics. Because the universe is intrinsically a lazy place.
What does it mean to be antidisciplinary? To me, it means struggle. Sometimes, working in interdisciplinary fields, I felt like I’ve maybe tried really hard working and working and working on a project, and I wasn’t seeing any difference. Sometimes people would look at me and be like, “What are you even doing?” So, to me antidisciplinarity means not only not working in one specific field, but rather instead drawing from elsewhere to imagine something new.
Rammellzee […] considered graffiti as viruses. And what he liked to do was to connect his production to military language. He was saying that the graffiti artists were in a kind of symbolic campaign against the standardization of the alphabet.
The main drive we all have is the desire to be tattooed. Design comes in secondary, absolutely, because there are multiple choices at every turn that would suit just fine.
The reality TV shows have been a blessing and a hindrance, I think, to a lot of tattoo artists. The reality is, reality shows aren’t real. But they do make people aware of tattooing.