Community is always part of a system that we sometimes can or cannot see or recognize. And in Gerard O’Neill’s proposals for these islands in space, those communities…were supposed to perform a very specific function in a larger system. They were supposed to be experiments.
I think our work is much more interested in questioning the notion that architecture is a static entity. Part of our thinking in terms of architecture is how we make a building breathe. How do we give a building a kind of like, almost a nervous system.
The framing of what we design is very important to how we go about it. We have not been framing these things as contexts. We’ve been framing them as products, services, and a whole other series of terms that are— Tools, for example. And these are things that are mostly transactional. They’re not things that are meant to be inhabited.
It’s interesting and scary to think about an Earth that could be completely controlled by humans, but it seems like it’s definitely possible. I could find fun thinking about living under the sea or all the places that humans really haven’t been able to sustain themselves in very well. Like, if we could really get control of that. I mean, it’s definitely a dark future, but I think something that I could embrace if we did go there.
I’m going talk to you guys about larp and. Larp and a whole lot of other things. Because I think the most interesting things about larp are maybe not actually larp itself, but when larp meets a whole bunch of the rest of the world.
This quote’s from Andy Warhol. He was looking at America and saying America’s different. He’s saying, “Well, Elizabeth Taylor’s drinking Coke and I’m drinking Coke and the bum on the street’s drinking Coke, and it’s all the same thing.” For the first time in history, mass market culture has allowed us all to enjoy the same thing. This is not champagne. The bum on the street can’t afford champagne.
As we’re giving our homes this new layer of smartness and intelligence, we’re giving away its ownership to very large organizations. And as we become a generation of renters, what I’m very interested in is how do landlords respond to that?
What I’d like to to look at is alternative versions of London, unbuilt buildings, different structures from fantastical literature (science fiction, that sort of thing), and just see how that reframes the city that we inhabit every day. How it makes us see it with perhaps new eyes.