I will tell to you a few things about the first Twitter bomb that with my colleague we found a couple years ago. And there it was a case in which somebody was attacking the candidate Martha Coakley in the last Massachusetts elections. We found out that actually it was easy to detect this kind of attack.
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The question that philosophers have asked since antiquity is how should you live? What is the good life for a human being? And the two answers that have repeatedly come back time and time again are that there are two things that matter. One is agency. That’s to say being in control of your life, actively, creatively engaging with the world. And the other is community.
One of the things that was happening at the time is that one of the accusations that was being made, or that was being proffered by people who made sort of snap, knee-jerk responses to what was going on is that social media is being blamed. Social media was blamed for the worst civil unrest that England had seen in recent years.
I’m going to be talking about how the arts engage ethically and politically with the technization of the food chain, the chain or flow of sustenance from field to dinner plate. This is an inter-disciplinary talk but don’t worry, I won’t be claiming quite that poems and paintings are computational machines for working out social policy, because that would be crazy. But if I’m not willfully misunderstanding Joscha’s excellent talk on the computational universe, it seems that a likely candidate for the substrate of consciousness is the numinal, the realm of ideas, and that’s precisely where art and literature lives. So it’s the ideal place for deep processing of ethical issues, the big issues like food and tech.