Jillian C York

What Do We Do About the Haters?

in Netzpolitik 12

A lot of the top­ics that we’re try­ing to tack­le” or try­ing to deal with on the Internet, we’re not actu­al­ly defin­ing ahead of time. And so what we’ve end­ed up with is a sys­tem where­by both com­pa­nies, and gov­ern­ments alike, are work­ing some­times sep­a­rate­ly, some­times togeth­er, to rid the Internet of these top­ics, of these dis­cus­sions, with­out actu­al­ly delv­ing into what they are.

Loving Out Loud in a Time of Hate Speech

in

Dangerous speech, as opposed hate speech, is defined basi­cal­ly as speech that seeks to incite vio­lence against peo­ple. And that’s the kind of speech that I’m real­ly con­cerned about right now. That’s what we’re see­ing on the rise in the United States, in Europe, and elsewhere.

Your Body is a Honeypot
Loving Out Loud When There’s No Place to Hide

in re:publica 2017

We have to ask who’s cre­at­ing this tech­nol­o­gy and who ben­e­fits from it. Who should have the right to col­lect and use infor­ma­tion about our faces and our bod­ies? What are the mech­a­nisms of con­trol? We have gov­ern­ment con­trol on the one hand, cap­i­tal­ism on the oth­er hand, and this murky grey zone between who’s build­ing the tech­nol­o­gy, who’s cap­tur­ing, and who’s ben­e­fit­ing from it.

Nudes and N00dz

in re:publica 2016

What we’re talk­ing about today is how social media, and specif­i­cal­ly Facebook because we’ve found that they have the strictest poli­cies around this top­ic, how these social media com­pa­nies cen­sor art, and specif­i­cal­ly nude art. We believe that nude art is an impor­tant part of our cul­ture, an impor­tant part of our his­to­ry, and an impor­tant part of our present.

Sin in the Time of Technology

in 32nd Chaos Communication Congress

Social media com­pa­nies have an unpar­al­leled amount of influ­ence over our mod­ern com­mu­ni­ca­tions. […] These com­pa­nies also play a huge role in shap­ing our glob­al out­look on moral­i­ty and what con­sti­tutes it. So the ways in which we per­ceive dif­fer­ent imagery, dif­fer­ent speech, is being increas­ing­ly defined by the reg­u­la­tions that these plat­forms put upon us [in] our dai­ly activ­i­ties on them.