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There Is No Internet

presented by Lori Emerson

What I’d like to do for prob­a­bly the next 40 to 45 min­utes is just first of all talk about how Reading Writing Interfaces as well as the Media Archaeology Lab under­lie my next/current project that I’m call­ing Other Networks,” which will lead me into an expla­na­tion of my kind of mys­te­ri­ous title There Is No Internet.” And I’ll fin­ish with talk­ing about spe­cif­ic exam­ples of oth­er net­works. When I say oth­er net­works” I’m talk­ing pri­mar­i­ly about net­works that were out­side or before what we now call The Internet.

Agri-tech and the Arts: From Barns to D‑Space

presented by Richard Marggraf-Turley

I’m going to be talk­ing about how the arts engage eth­i­cal­ly and polit­i­cal­ly with the tech­niza­tion of the food chain, the chain or flow of sus­te­nance from field to din­ner plate. This is an inter-disciplinary talk but don’t wor­ry, I won’t be claim­ing quite that poems and paint­ings are com­pu­ta­tion­al machines for work­ing out social pol­i­cy, because that would be crazy. But if I’m not will­ful­ly mis­un­der­stand­ing Joscha’s excel­lent talk on the com­pu­ta­tion­al uni­verse, it seems that a like­ly can­di­date for the sub­strate of con­scious­ness is the numi­nal, the realm of ideas, and that’s pre­cise­ly where art and lit­er­a­ture lives. So it’s the ide­al place for deep pro­cess­ing of eth­i­cal issues, the big issues like food and tech.

Policing the Romantic Crowd; Velocipedes and Face Recognition

presented by Anne Marggraf-Turley, Richard Marggraf-Turley

We have to be care­ful about dis­tin­guish­ing between mere analo­gies link­ing the Romantic peri­od to our own age that maybe don’t have any use­ful analogs, and those that do have some con­tin­ued oper­a­tional rel­e­vance. Because it is the case that Romantic writ­ers like John Keats, Mary Shelley, William Wordsworth, philo­soph­i­cal­ly mod­eled and to some extent thought through many of the debates and issues that we’re cur­rent­ly hav­ing as we seek to shape the con­tours of our future societies.

Romantic Hackers

presented by Anne Marggraf-Turley, Richard Marggraf-Turley

[T]otalizing per­spec­tives which feed into mass-surveillance were framed ide­o­log­i­cal­ly in the Romantic peri­od. Not only that, but strate­gies for resist­ing these total­iz­ing nar­ra­tives also emerged in the Romantic peri­od in forms that exhib­it sug­ges­tive cor­re­spon­dences with con­tem­po­rary hacking.

Words about Sounds about Pier 9

presented by Kyle Machulis

I decid­ed to go ahead and apply sound to the work­shop. What kind of sounds can the work­shop make? What kind of sounds can the work­shop edit?

Privacy Illustrated

presented by Lorrie Faith Cranor

[L]ast week we went into sev­er­al class­rooms in the area and asked the kids What does pri­va­cy mean to you?” What do you think about when you think about pri­va­cy? Draw us some pictures.

Jen Lowe at Deep Lab

presented by Jen Lowe

Almost a year ago, I put my heart­beat online, and along with my heart­beat an account­ing of all the days I’ve lived, and the days I sta­tis­ti­cal­ly have yet to live, along with my aver­age heart­beat for each day. So I was play­ing with the idea of pri­va­cy. Here’s this very inti­mate mea­sure, in a way. But I’m not wor­ried about shar­ing it because there’s not much you can learn about me from my heart rate.

Selfies & security

presented by Maddy Varner

We use the norms and tools soci­ety gives us to express the feel­ings we have about our­selves and oth­ers. But we’re vul­ner­a­ble, and this is proven even more­so with events like The Snappening, where thou­sands of sup­pos­ed­ly pri­vate images, and ephemer­al images, were leaked, many of which were nudes of young women. 

Gradualism (and its discontents)

presented by Denise Caruso

What I want to talk about is some­thing that has plagued me and con­cerned me for a long time now, which I guess one tech­ni­cal term for it is grad­u­al­ism,” how much worse things have got­ten very slow­ly. And I think it’s real­ly true in the privacy/security area. It’s true in a lot of places that have to do with tech­nol­o­gy because nor­mal peo­ple are a lit­tle intim­i­dat­ed by it and they don’t know enough to know what they should be watch­ing out for.

Privacy, cen­sor­ship, and secu­ri­ty in the Middle East

presented by Maral Pourkazemi

So I got curi­ous, and I asked myself what is the Iranian Internet, and who is the Iranian user? I was pissed off enough, like I said, to take a step or to feel the urge to do some­thing. To feel the urge of mak­ing some­thing. And the thing that I real­ly want­ed to bring across was that cen­sor­ship is hap­pen­ing in a dif­fer­ent coun­try, where it’s being used to bring across infor­ma­tion, to make voic­es heard. 

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