When the film was banned, I was really, really, really surprised. And what surprised me the most about the ban was the reason the Kenya Film Classification Board gave. They gave the reason that the film was not remorseful enough. They said that if I change the ending of the film and make it more remorseful, then they would give me a rating. Because they didn’t like the idea of legitimizing, or normalizing, the LGBT community in Kenya. Which was ridiculous.
To have the hunter tell it, Africa is full of meek stories about desperation and despair. So when artists like myself offer an alternate vision, often we’re asked to defend our imagination. Why do we feel we have the luxury to create? Shouldn’t we be dealing with more important issues like corruption, or war, or AIDS, or poverty?
Afrofuturism is really about the black body and the black mind seeing itself put into a space that is beyond the white supremacist structure that we’re currently in at the moment.