At the intersection of the politics of art or literature or film and political theory, I’ve been thinking about disposable life through a number of lenses, particularly through work on the Holocaust and work that I’ve been doing with Max Silverman on a slightly different element of it called “concentrationary memory.”
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Blockchain is in that space where we still have to explain it, because most of the people have gone from not having it around to having it around. But for kind of the folks that are your age or a little younger it’s kind of always been there, at which point it doesn’t really need to be explained. It does however need to be contextualized.