When you look at this film you will recognize that it’s part of a tradition that says we have to think the planet, and we have to stop thinking the Earth. Thinking the Earth is actually thinking the world in terms of distinct civilizations, in terms of continents, in terms of ownership. Who owns culture, who owns land, and how they exploit land and culture and so forth.
I’m just going to say it, I would like to completely blow up employment classification as we know it. I do not think that defining full-time work as the place where you get benefits, and part-time work as the place where you have to fight to get a full-time job, is an appropriate way of addressing this labor market.
People think that the Civil Rights Movement and all big epochal movements involve conscience, and they do. They also involve consciousness. I mean, you can’t struggle against what you’re unaware off, right? The Klan as the iconic carriers of violence, the Bull Connor of the iconic southern white male resistance, George Wallace the iconic neopopulist racist. You know, these were historic figures in myth and reality. But we wouldn’t get to what they represented till much later.
[The] question of what happens when blackness enters the frame can kind of neatly encapsulate the ways I’ve been thinking and trying to talk about surveillance for the last few years.
I want us to play together… I’ve been thinking a lot about the black future. One, because I want to have one. Personally, I would like a black future. Because I want a future. And then I was thinking about just how many folks don’t actually put black and the future together.
My job is to integrate the brands of exclusion creating a world of southern American food, by reintroducing people to the African ancestors of American cooking, and by extension restoring respect and dignity for what they gave.