Archive

Performing States

We have now in twen­ty years moved half the world’s pop­u­la­tion, give or take, to one city. And we all live in one city. And we keep walk­ing out into the street and get­ting past­ed by trams. And we don’t even under­stand what the trams are. We not only do not know how to live togeth­er online, we don’t even real­ly under­stand that it’s a problem.

Knutepunkt 2017 Keynote: Present, by Eleanor Saitta

I think of larp in a cou­ple dif­fer­ent ways. And one of the ways that I think of it is as sto­ry­telling for the net­work age. This is sto­ry­telling in the first-person present tense plur­al, and it is not very often that human­i­ty comes up with a new tense in which to tell sto­ries. That’s actu­al­ly kind of a big deal.

Framing Art with Larp

I start­ed out by want­i­ng to get rid of what trou­bled me with larp­ing. And I did that by cre­at­ing some­thing new. I not only end­ed up with this arts col­lec­tive respon­si­ble for a series of per­for­mances, but I was also find­ing my gates to a whole new field of artis­tic research.

Girls in Armour – a Danish Feminist Movement

In 2009, when we began this ini­tia­tive, there weren’t real­ly that many women around to play these games. They were usu­al­ly, I’m the musi­cian. I’m the one who car­ries the stan­dard. I’m at home mak­ing food.”

Larp and…

I’m going talk to you guys about larp and. Larp and a whole lot of oth­er things. Because I think the most inter­est­ing things about larp are maybe not actu­al­ly larp itself, but when larp meets a whole bunch of the rest of the world.

Does Larp Design Matter?

When we design larps, we’re play­ing basi­cal­ly with the build­ing block of cul­ture. Not just of fic­tion­al cul­tures, real cul­ture as well. But ask­ing peo­ple to act as if is not enough to make a larp. As larp writ­ers, we need you to act as if, together. 

Larp as Adaptation

A larp takes a space and makes a place in which we cre­ate fic­tion with our bod­ies, and our voic­es. Although the larp medi­um cer­tain­ly shares a lin­eage with the the­ater and the oral sto­ry­telling tra­di­tion, most of the fic­tion that we con­sume comes in oth­er forms.

Experimental Anthropology

In exper­i­men­tal archae­ol­o­gy, we could for instance try to make the kind of shoes that our hunter-gatherer ances­tors might have had, and test how long they last in use. 

But what if we are inter­est­ed in com­plete­ly dif­fer­ent kinds of ques­tions. Like, did they have rules for whom you’re allowed to have sex with? How did they raise their kids? We could always look at exist­ing hunter-gatherer cul­tures and guess that the cul­ture might have been sim­i­lar. But could we attempt to test our hypothe­ses, someway?

Mindful Cyborgs #51 — Nordic Larp, Social Change, and Free-will Agency with Eleanor Saitta

Change is going to hap­pen. I guess in a lot of cas­es I see my role in the world as try­ing des­per­ate­ly to build enough tools, and enough under­stand­ing of how they work and how they can be used, and to get that stuff out into the world enough so that when stuff inevitably breaks and falls apart and explodes in our faces, we’ve got kind of a first aid kit that we can reach for.