This idea of (re)performing the posthuman was pretty much based on a desire to talk about the cyborg ten years after, or fifteen years, twenty years after the Cyborg Manifesto and Katherine Hayles’ book became famous. And to really—yeah, to talk about maybe the normal cyborg, the normal technologized body. You know, technology in the everyday and its implications for the way we perceive and experience our bodies.
Let’s ask a very simple question. Why are there so many art projects today? Because we live in the world of mass art production. Basically everyone is an artist nowadays. Or at least he or she has an artistic project. We can speak of a surge in the creation of art. The production of art is proliferating.
It’s not necessary for a machine gun to be able to be purchased. What is that for? How do you even have those in stores, and know that they in stores everywhere.
One of the most recent paradigms that we’ve used to try to get this under experimental control is to ask people to act out pretend harmful actions. So for instance, we’ll give them a disabled handgun. We’ll show them that it’s fake. That it couldn’t possibly harm a fly. We put it in their hands and then we ask them to shoot us in the head.