By and large images tend to always be in the lead, always running ahead because of ease of consumption, because it requires less brain processing on our parts. But text is never obliterated.
For most people on an individual level most the time, their future still feels very different from that of other people. We live in a world, for example, of enormous income inequality, right. So even though there is a global economy, it certainly doesn’t feel like one’s sort of day-to-day fate or destiny is linked to those of people around the world, even if it is in very invisible kinds of ways.
We have already changed the world a lot, not always for the better. Some of it’s for the better, as far as we human beings are concerned. But every time we invent a new technology, we like to play with that technology, and we don’t always foresee the consequences.
There’s already a kind of cognitive investment that we make, you know. At a certain point, you have years of your personal history living in somebody’s cloud. And that goes beyond merely being a memory bank, it’s also a cognitive bank in some way.
Cities form a vast global network connected by flows of energy, food, information. This global network is the challenge of the 21st century. How do we make more sustainable cities, with smaller ecological footprints and more equitable human wellbeing?
I think there’s something interesting about a discipline that historically is tied to political intrigue, to secrecy, being linked into this debate over what is good magic or true divine magic, and what is the work of demons. And I think there is something interesting to be said about the moment we are in right now and how states themselves kind of identify and invent existential threats to justify their own behavior.