The whole point of myth is that it’s just the kind of ambient stuff of culture that you can reach out and do whatever you need to do with. Yes, it means things, sort of, it has dispositions, it has tendencies, but you could rewrite all of that.
It’s the expectations themselves that start to change the material qualities of our world, the material qualities around science and technology, around our political activities. That it’s not just that the entrails have been read, but the fact that you now have to make a decision whether you’re going to [ward?] that warning or not.
Afrofuturism is really about the black body and the black mind seeing itself put into a space that is beyond the white supremacist structure that we’re currently in at the moment.
I’m going to talk about things that scare me on the Internet, things that I’m afraid of, and things that maybe we can’t yet make a horror film. We definitely can’t make a film as bad as The Ruins about this stuff, but I would say it’s a lot scarier than The Ruins, which is just gross.
I think there’s something interesting about a discipline that historically is tied to political intrigue, to secrecy, being linked into this debate over what is good magic or true divine magic, and what is the work of demons. And I think there is something interesting to be said about the moment we are in right now and how states themselves kind of identify and invent existential threats to justify their own behavior.
Pretty much anything that Lucifer says in Paradise Lost, you could probably imagine the CEO of Uber saying. They’re just disrupting the Heavenly orders, you know. They really needed it.