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Margaret Atwood on Fiction, the Future, and the Environment

We have already changed the world a lot, not always for the bet­ter. Some of it’s for the bet­ter, as far as we human beings are con­cerned. But every time we invent a new tech­nol­o­gy, we like to play with that tech­nol­o­gy, and we don’t always fore­see the consequences.

Larp as Adaptation

A larp takes a space and makes a place in which we cre­ate fic­tion with our bod­ies, and our voic­es. Although the larp medi­um cer­tain­ly shares a lin­eage with the the­ater and the oral sto­ry­telling tra­di­tion, most of the fic­tion that we con­sume comes in oth­er forms.

An Introduction to Infrastructure Fiction

The Someone Else’s Problem Field around infra­struc­ture is, iron­i­cal­ly enough, a mea­sure of infrastructure’s ubiq­ui­ty and suc­cess. You don’t think about infra­struc­ture because you don’t need to. It just works. And when it doesn’t, there’s a phone num­ber you can not both­er call­ing, because they’ll only put you on hold any­way, and by the time you get through it’ll prob­a­bly have fixed itself, so why bother?

The Neil Gaiman 2008 Julius Schwartz Lecture at MIT

What is genre? I think it’s prob­a­bly a set of assump­tions, and it’s a loose con­tract between a cre­ator and an audi­ence. But for most of you, genre is some­thing that tells you where to look in a book shop or a video store.

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