Archive

Bridging AI Fact and Fiction

This is going to be a conversation about science fiction not just as a cultural phenomenon, or a body of work of different kinds, but also as a kind of method or a tool.

The Conversation #55 – Ed Finn

The Center, one of our core goals, our mission statement, is to get people thinking more creatively and ambitiously about the future. What I mean when I talk about that is that we need to come up with better stories about the future. If you want to build a better world you have to imagine that world first.

Margaret Atwood on Fiction, the Future, and the Environment

We have already changed the world a lot, not always for the better. Some of it’s for the better, as far as we human beings are concerned. But every time we invent a new technology, we like to play with that technology, and we don’t always foresee the consequences.

Larp as Adaptation

A larp takes a space and makes a place in which we create fiction with our bodies, and our voices. Although the larp medium certainly shares a lineage with the theater and the oral storytelling tradition, most of the fiction that we consume comes in other forms.

An Introduction to Infrastructure Fiction

The Someone Else’s Problem Field around infrastructure is, ironically enough, a measure of infrastructure’s ubiquity and success. You don’t think about infrastructure because you don’t need to. It just works. And when it doesn’t, there’s a phone number you can not bother calling, because they’ll only put you on hold anyway, and by the time you get through it’ll probably have fixed itself, so why bother?

The Neil Gaiman 2008 Julius Schwartz Lecture at MIT

What is genre? I think it’s probably a set of assumptions, and it’s a loose contract between a creator and an audience. But for most of you, genre is something that tells you where to look in a book shop or a video store.