So then I thought right, what happens with an artist who draws the body, who deals with the body all the time? I know, they have affairs with the life model, don’t they? They have their muse. So I thought right, let’s take this, let’s look at technology, let’s have an affair with this tech. Let’s try and put the sex into it. Let’s sex up the technology.
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One of the most important insights that I’ve gotten in working with biologists and ecologists is that today it’s actually not really known on a scientific basis how well different conservation interventions will work. And it’s because we just don’t have a lot of data.
This is a moment to ask as we make the planet digital, as we totally envelop ourselves in the computing environment that we’ve been building for the last hundred years, what kind of digital planet do we want? Because we are at a point where there is no turning back, and getting to ethical decisions, values decisions, decisions about democracy, is not something we have talked about enough nor in a way that has had impact.
I think that what I want to say is that the polemics around the discourse of the Web are too binary. I think that one of the problems that we have in theorizing the Web is that we tend to moralize it in binaries. I get it. It’s bad. The Web is bad for you. Or the sort of free culture is always like, “It’s really good. It’s great. Free culture is great.” It’s neither.
I became tired of knocking on the same doors and either seeing the same people or different people. But I really just felt like I was in this cycle of faux liberation, where I would feel a victory, and the victory was probably formed around the RFP for the grant that we needed to get in order to do our work.