I’m going to take you through a project that I started back home in Kenya that aims to collect vinyl that people just have chilling around at home. Basically we used to have the only pressing plant in East Africa between 1976 and 1990, and we used to press about a hundred and thirty thousand LPs every year. But right now there are lots of people who have those, but they’re not doing anything with them.
So what would this mean for those with an interest in digitization? Despite being a new legal framework, the proposal may lead to some familiar problems for cultural heritage institutions. Many of you are aware of the problem of orphan works in copyright. This is where the owner of a protected work is unidentifiable or uncontactable, and because they can’t be found it follows that they can’t grant permission to others to copy their work.