I’m interested in what happens when artists who are used to being artists decide that the best place for a work is within a space that seems to require an entirely different method of construction. And of course, there’s no harsh line between forms, and plenty of people exist both as highly-proficient working artists and exceptionally skilled programmers. Tons of them, right? But I’m not talking so much about the skill or even background. Instead of I’m interested in mentality.
[T]otalizing perspectives which feed into mass-surveillance were framed ideologically in the Romantic period. Not only that, but strategies for resisting these totalizing narratives also emerged in the Romantic period in forms that exhibit suggestive correspondences with contemporary hacking.