My goal […] was to live in that tension, to empower makers, musicians, coders, and artists to continue to make wide-eyed and yet still open-hearted— One of my favorite authors, Ursula K. LeGuin calls this “the Grand Inquisitor’s Choice,” where you choose freedom without happiness, or happiness without freedom.
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I feel like a bit of a hypocrite standing up here. I have spent the last few weeks with anxiety about how I needed to inspire a revolution and a lecture that was twenty-two minutes or less.
I conceived to invite Addie Wageknecht, who is an American and Austrian artist, who’s been dealing with issues of privacy and security to say, “What would you do?” and she proposed to get a dozen of the baddest-ass ladies that she knew together to brainstorm what it meant to make art nowadays, and to deal with culture.