We are here to talk about fucking machines. In London, on a foggy evening, on a Tuesday, for yet another debate about fucking machines. Another curated discussion underlined by our own human insecurity about versions of us in silica. Fucking anthropomorphic fucking machines. Machines that fuck us. And let’s face it, machines are already fucking us, or so we seem to be told.
With Twitter bots and a lot of AI in pop science, it’s kind of like staying up late with your parents. Once you ask to be treated like a human being, you have to abide by a different set of rules. You have to be extra good. And the second you misbehave, you get sent to bed. Because you didn’t play by the rules that you were agreeing to be judged by.
The commonly asked questions is, “Does this bot sound human?” And the question that I think is a little bit more interesting is why do so many bots that win the Loebner Prize sound pretty much exactly the same? They’re really similar to each other. Maybe they all have a particular type of default human being in mind, the people who design these bots. But if so, who is this particular mysterious default human being?