So, why am I doing this? Rip it Up is such a rich resource, especially in the early years. Nothing else was really documenting pop culture, let alone the nascent alternative culture that was starting to boil up. The prevailing attitude in the mainstream media of the day seemed to be that pop music was kid’s stuff.
National Digital Forum 2014
Traditional Knowledge and Copyright: the Implications for Digitising Pacific Island Cultural Heritage Collections
presented by Mark Boddington
So what would this mean for those with an interest in digitization? Despite being a new legal framework, the proposal may lead to some familiar problems for cultural heritage institutions. Many of you are aware of the problem of orphan works in copyright. This is where the owner of a protected work is unidentifiable or uncontactable, and because they can’t be found it follows that they can’t grant permission to others to copy their work.