Making Sense of Technology

1983: A Blackened Window on the World

presented by Joël Vacheron

Rammellzee […] con­sid­ered graf­fi­ti as virus­es. And what he liked to do was to con­nect his pro­duc­tion to mil­i­tary lan­guage. He was say­ing that the graf­fi­ti artists were in a kind of sym­bol­ic cam­paign against the stan­dard­iza­tion of the alpha­bet.

The Internet of Damned Things

presented by Tobias Revell

We have to be aware that when you cre­ate mag­ic or occult things, when they go wrong they become hor­ror. Because we cre­ate tech­nolo­gies to soothe our cul­tur­al and social anx­i­eties, in a way. We cre­ate these things because we’re wor­ried about secu­ri­ty, we’re wor­ried about cli­mate change, we’re wor­ried about threat of ter­ror­ism. Whatever it is. And these devices pro­vide a kind of stop­gap for help­ing us feel safe or pro­tect­ed or what­ev­er.

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