I’m going to talk about things that scare me on the Internet, things that I’m afraid of, and things that maybe we can’t yet make a horror film. We definitely can’t make a film as bad as The Ruins about this stuff, but I would say it’s a lot scarier than The Ruins, which is just gross.
Haunted Machines
Joanne McNeil at Haunted Machines
presented by Joanne McNeil
Ingrid Burrington at Haunted Machines
presented by Ingrid Burrington
I think there’s something interesting about a discipline that historically is tied to political intrigue, to secrecy, being linked into this debate over what is good magic or true divine magic, and what is the work of demons. And I think there is something interesting to be said about the moment we are in right now and how states themselves kind of identify and invent existential threats to justify their own behavior.
Haunted Machines Morning Panel
presented by Ingrid Burrington, Joanne McNeil, Tobias Revell, Warren Ellis
Pretty much anything that Lucifer says in Paradise Lost, you could probably imagine the CEO of Uber saying. They’re just disrupting the Heavenly orders, you know. They really needed it.
Afrofuturism is really about the black body and the black mind seeing itself put into a space that is beyond the white supremacist structure that we’re currently in at the moment.
Crafting Visions
presented by Georgina Voss
It’s the expectations themselves that start to change the material qualities of our world, the material qualities around science and technology, around our political activities. That it’s not just that the entrails have been read, but the fact that you now have to make a decision whether you’re going to heed that warning or not.
Haunted Machines Afternoon Panel
presented by Chardine Taylor-Stone, Eleanor Saitta, Georgina Voss, Natalie Kane
The whole point of myth is that it’s just the kind of ambient stuff of culture that you can reach out and do whatever you need to do with. Yes, it means things, sort of, it has dispositions, it has tendencies, but you could rewrite all of that.