I think if there are people who are able to take a step backwards, take that proverbial zoom out, and realize that everybody’s kind of doing the same thing in different ways, and be able to step from one perspective to the other and ask different kinds of questions based on where they are at any given moment time, then it just becomes a game. I think it becomes joyful and engaging. I mean, I’m not interested in finding the answer to anything. I don’t think there is the answer to anything.
Micah Saul (Page 4 of 7)
We don’t have a concept of balance. Not only do we not have a concept of balance, but we have a very distorted sense of social justice that has been reframed to justify a society that is fundamentally anchored around the concept of imbalance. The resources of the world cluster toward a handful of very very powerful countries, one country having an even greater share. In order to justify this greater share, it’s made them believe that this higher concentration of power is normal, and that anybody in all countries can have it, and that all countries should aspire for it.
We are a communal animal that’s developed to believe that it’s the center of the universe. And we behave as such. You know, we want to conquer, because our brain is wired to want to eat and fuck another day, you know what I mean. That’s what we’re wired to do. That’s where our evil comes from. It’s our animal roots that cause us to need things, and desire things.
My thinking is how do we design systems that provide for every aspect of our humanity? How do we design a city that cares for all of our needs? You know it’s not just thinking about shelter, but it’s thinking about our food and our air and so, obviously the types of industry we have are very different, because we have to make sure that our air and our water is clean. And that our food is readily available, and that we have spaces for contemplation and reflection. And that we have places for communing with each other.
Some of my artist friends think what I’m doing isn’t art, and I’ve given up on art. It’ll take care of itself. You know. I mean it’s always been there, it will always be there, and we always know that new art never looks like art at first, ever. So why should this be any different? We just have to trust the process. And I would say that must be true for every other discipline.
We feel that this is a good point to sort of take stock, do sort of a quick précis, if you will, of where we’ve gotten so far. Because I think we’ve got some really interesting places we weren’t necessarily expecting to get. And we’re seeing some interesting poles between different large groups of thinkers that we weren’t necessarily expecting.
When the public cannot prove that the oil company is going to cause damage, then we’re not allowed to say, “Nevertheless, the risk is not acceptable.” So we have turned it over, the decision, to the expert. We have taken it out of the hands of the community. And then when we say we want community input, we hold a public hearing, and the experts sit up at a table. And then the grandmother who does not have a graduate degree, she’s not allowed to say, “Here’s what I’ve seen. Here is what’s happened in my community. And that’s not acceptable.” Her view is not taken because she’s not an expert. And so we’ve taken away the right for self determination and for community determination.
You’re dealing with timescales that are beyond humans’ interest. I mean, it’s sorta like global warming. The heat that we have now built up, that carbon was burned thirty years ago. It’s going to take a while for the correction process. So, if you have the elements of the phosphorus, the potassium, the manganese, and so on, it can be built back pretty fast. But a shorthand way of putting it is that soil is as much of a non‐renewable resource as oil. And, more important than oil. I mean, we’re talking about stuff we’re made of. So that’s why I’ve said that the plowshare has destroyed more options for future generations than the sword.