Archive

Performing States

We have now in twen­ty years moved half the world’s pop­u­la­tion, give or take, to one city. And we all live in one city. And we keep walk­ing out into the street and get­ting past­ed by trams. And we don’t even under­stand what the trams are. We not only do not know how to live togeth­er online, we don’t even real­ly under­stand that it’s a problem.

The Precariat: A Disruptive Class for Disruptive Times

In a book that I wrote in 2011, on page one I said that unless the inse­cu­ri­ties, and the fears, and the aspi­ra­tions of the pre­cari­at were addressed as a mat­ter of urgency, we would see the emer­gence of a polit­i­cal mon­ster. You will not be sur­prised that in November 2016 I received a lot of emails from around the world from peo­ple who said, The mon­ster has arrived.”

Virtual Futures Salon: Dawn of the New Everything, with Jaron Lanier

So here’s what hap­pened. If you tell peo­ple you’re going to have this super-open, absolute­ly non-commercial, money-free thing, but it has to sur­vive in this envi­ron­ment that’s based on mon­ey, where it has to make mon­ey, how does any­body square that cir­cle? How does any­body do any­thing? And so com­pa­nies like Google that came along, in my view were backed into a cor­ner. There was exact­ly one busi­ness plan avail­able to them, which was advertising.

The Conversation #5 — Andrew Keen

We’ve got two para­dox­i­cal trends hap­pen­ing at the same time. The first is what I call in my book the cult of the social,” the idea that on the net­work, every­thing has to be social and that the more you reveal about your­self the bet­ter off you are. So if your friends could know what your musi­cal taste is, where you live, what you’re wear­ing, what you’re think­ing, that’s a good thing, this cult of shar­ing. So that’s one thing that’s going on. And the oth­er thing is an increas­ing­ly rad­i­cal­ized indi­vid­u­al­ism of con­tem­po­rary, par­tic­u­lar­ly dig­i­tal, life. And these things seem to sort of coex­ist, which is para­dox­i­cal and it’s some­thing that I try to make sense of in my book.