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The Conversation #30 — Henry Louis Taylor Jr.

We don’t have a con­cept of bal­ance. Not only do we not have a con­cept of bal­ance, but we have a very dis­tort­ed sense of social jus­tice that has been reframed to jus­ti­fy a soci­ety that is fun­da­men­tal­ly anchored around the con­cept of imbal­ance. The resources of the world clus­ter toward a hand­ful of very very pow­er­ful coun­tries, one coun­try hav­ing an even greater share. In order to jus­ti­fy this greater share, it’s made them believe that this high­er con­cen­tra­tion of pow­er is nor­mal, and that any­body in all coun­tries can have it, and that all coun­tries should aspire for it.

Agri-tech and the Arts: From Barns to D-Space

I’m going to be talk­ing about how the arts engage eth­i­cal­ly and polit­i­cal­ly with the tech­niza­tion of the food chain, the chain or flow of sus­te­nance from field to din­ner plate. This is an inter-disciplinary talk but don’t wor­ry, I won’t be claim­ing quite that poems and paint­ings are com­pu­ta­tion­al machi­nes for work­ing out social pol­i­cy, because that would be crazy. But if I’m not will­ful­ly mis­un­der­stand­ing Joscha’s excel­lent talk on the com­pu­ta­tion­al uni­verse, it seems that a like­ly can­di­date for the sub­strate of con­scious­ness is the numi­nal, the realm of ideas, and that’s pre­cise­ly where art and lit­er­a­ture lives. So it’s the ide­al place for deep pro­cess­ing of eth­i­cal issues, the big issues like food and tech.

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