Archive

Feral Urbanism

There seems to be a rush to exceed time, to pro­duce urban envi­ron­ment and social­i­ty for which we have no lan­guage, some­thing that goes beyond spec­u­la­tion, some­thing cut loose from hav­ing to make sense now. The city cut loose from what it had embod­ied or promised.

The Conversation #40 — Mary Mattingly

It’s inter­est­ing and scary to think about an Earth that could be com­plete­ly con­trolled by humans, but it seems like it’s def­i­nite­ly pos­si­ble. I could find fun think­ing about liv­ing under the sea or all the places that humans real­ly haven’t been able to sus­tain them­selves in very well. Like, if we could real­ly get con­trol of that. I mean, it’s def­i­nite­ly a dark future, but I think some­thing that I could embrace if we did go there.

The Conversation #30 — Henry Louis Taylor Jr.

We don’t have a con­cept of bal­ance. Not only do we not have a con­cept of bal­ance, but we have a very dis­tort­ed sense of social jus­tice that has been reframed to jus­ti­fy a soci­ety that is fun­da­men­tal­ly anchored around the con­cept of imbal­ance. The resources of the world clus­ter toward a hand­ful of very very pow­er­ful coun­tries, one coun­try hav­ing an even greater share. In order to jus­ti­fy this greater share, it’s made them believe that this high­er con­cen­tra­tion of pow­er is nor­mal, and that any­body in all coun­tries can have it, and that all coun­tries should aspire for it.

The Conversation #25 — Frances Whitehead

Some of my artist friends think what I’m doing isn’t art, and I’ve giv­en up on art. It’ll take care of itself. You know. I mean it’s always been there, it will always be there, and we always know that new art nev­er looks like art at first, ever. So why should this be any dif­fer­ent? We just have to trust the process. And I would say that must be true for every oth­er dis­ci­pline.

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