Hello. Let’s talk about ego. I believe that many projects and organizations today have too much of it, and that it hinders them from doing better design work on products and services. That’s a bit of an accusation, so let me talk you through what makes me say that.
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Simply put, anonymity does not cause harassment. It does play a role, but it’s much much more complicated than most people have made it out to be. The reason that this is important to understand is because it’s having a practical impact on the world right now.
I’m here at MITH today, and I wanted to talk a little bit about digital humanities from my position as an interested outsider. I’ve always kept a finger in academia, at first through game studies and people studying video games, and more recently through electronic literature and those fields. I’m not going to go into a “what is it?” debate because I know everyone who’s in digital humanities is very tired of those, but we know when we see it, right?
We want to contextualize the bots for the audience of the ELC3, people who study and are interested in electronic literature. To frame bots as a kind of electronic literature. To link to the live bot on Twitter. But we also want to offer materials so those bots can be studied. We want to preserve it for future generations. So what does this mean, exactly?
I wasn’t really sure what to talk about and so a while ago I wrote this bot called Bots r cool to try to figure out why we all like bots, and this presentation is the top 20 of those off of Favstar plopped into OutSlide because I really just didn’t want to do any work at all.
Why did this happen now? We’ve had update_with_media on Twitter via the API since August 2011, so you could upload pictures for a long time. We got a “rich photo experience” in September . […] But the short answer is I don’t know why we’ve had this capability for a year and nobody’s done anything with it until now in terms of transforming image bots.
The point being that this isn’t just some random thing about Rube Goldberg machines, it’s also about changes in art. It’s a broad pattern that happens whenever there’s a major technological shift, at least for the last hundred years. You get these useless machines that self-justify.