I like to diversify the way that we work with technology, and I like to think of it as an art object, and an installation where we rethink and reinvent computation, especially focusing on alternative possibilities of the computer as not driven by war agendas or corporate mass production.
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My goal […] was to live in that tension, to empower makers, musicians, coders, and artists to continue to make wide-eyed and yet still open-hearted— One of my favorite authors, Ursula K. LeGuin calls this “the Grand Inquisitor’s Choice,” where you choose freedom without happiness, or happiness without freedom.