Invisible Images of Surveillance

One of the things I real­ly want out of art, what I see the job of the artist to be is to try to learn how to see the his­tor­i­cal moment that you find your­self liv­ing in. I mean that very sim­ply and I mean it very lit­er­al­ly. How do you see the world around you?

Virtual Futures Podcast #4: Emoji Delights, with Carla Gannis

AR mixed real­i­ty has more poten­tial, I think. With vir­tu­al real­i­ty, you’re just some­where else alto­geth­er, right? And VR is all the rage right now. But in terms of dis­sem­i­nat­ing infor­ma­tion, in terms of keep­ing us in touch still with phys­i­cal, you know. I mean, it’s all real life now. I don’t even dis­tin­guish IRL/URL now. I mean it’s all real life. But like, how do we main­tain a foot in both simul­ta­ne­ous­ly? Both the vir­tu­al and the phys­i­cal.

Your Body is a Honeypot
Loving Out Loud When There’s No Place to Hide

We have to ask who’s cre­at­ing this tech­nol­o­gy and who ben­e­fits from it. Who should have the right to col­lect and use infor­ma­tion about our faces and our bod­ies? What are the mech­a­nisms of con­trol? We have gov­ern­ment con­trol on the one hand, cap­i­tal­ism on the oth­er hand, and this murky grey zone between who’s build­ing the tech­nol­o­gy, who’s cap­tur­ing, and who’s ben­e­fit­ing from it.