We are in the midst of a shift in how we encounter information. And we’re wrestling with three paradigms at the same time. The oldest of these paradigms, for for most of us, is edited media. … You have a powerful gatekeeper, the newspaper editor, who says, “Here are things you need to pay attention to today. Give this a small amount of your time, and you will be roughly up to date with what you need to know.”
The worst‐case scenario for Detroit would be that the architecture of the Internet as it is now continues, and Detroiters’ stories, voices, lives, are absent. And the New York Times story about the creative class saving Detroit, or the documentary about the abandonment and wholesale destruction of Detroit that portrays it as a wasteland and a blank canvas ready for entrepreneurial exploitation, that those stories are defining the national, the global imagination of what Detroit is. And that those stories, they don’t use influence people’s desire to come here and do those things and live that life, though that’s part of it, but it also shapes the perception of people inside the city.