So, how do we make sense of new media? How can we guard against our temptation to assume, our implicit sense, even, that everything in our experience of today’s emerging digital media is brand new and unprecedented? And how do we do that while also appreciating the things that really are new or unique to our current cultural context and moment in history?
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We can’t let our young designers and developers and writers, who want to be craftsmen, be separate from the stream of people who are working on these really complex, often kind of daunting, intimidating, tricky problems.