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Disposable Life: Griselda Pollock

At the inter­sec­tion of the pol­i­tics of art or lit­er­a­ture or film and polit­i­cal the­o­ry, I’ve been think­ing about dis­pos­able life through a num­ber of lens­es, par­tic­u­lar­ly through work on the Holocaust and work that I’ve been doing with Max Silverman on a slight­ly dif­fer­ent ele­ment of it called con­cen­tra­tion­ary mem­o­ry.”

Disposable Life: Max Silverman

My approach to the ques­tion of dis­pos­able lives is this: In an age of late cap­i­tal­ism, advanced tech­nol­o­gy, and mass media, are lives eas­i­er to dis­pose of now than in the past? And my response is, unfor­tu­nate­ly, yes it is eas­i­er now. And this isn’t sim­ply because of the tech­nol­o­gy that is avail­able today that sim­ply was­n’t avail­able in the past.