We’ve designed systems not really well anticipating the kind of users that would really use them, thinking that they would—or maybe not even thinking—that they would be used in the same way that they were in the 1980s and 1990s.
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Traditional psychology and counseling will help people understand in a very linear way why they are the way they are. Whereas what I’m really focused on and what I’ve been specializing in for the last number of years is the how. And for me, virtual reality therapy is the how of change.
Rather than begrudgingly pushing society forward to be ready, I ask designers to critically reflect on the limitations of their own design practices and to remember that to design for one intersection of society—namely, affluent middle-to-upper-class white American men—does not mean that those designs will work for those who do not identify as such. Even with modifications.
Let’s ask a very simple question. Why are there so many art projects today? Because we live in the world of mass art production. Basically everyone is an artist nowadays. Or at least he or she has an artistic project. We can speak of a surge in the creation of art. The production of art is proliferating.
When it comes to a field as fast-moving and as high of stakes as genetic engineering, how do we proceed wisely? How do we balance our own wildness and civility as we develop increasingly powerful ways to interact with the living world?
I think the saddest thing is if you ever stop wanting to learn new things. And it can be about anything. That’s just really heartbreaking. I don’t know. It’s just so much part of like who you are as a human to learn new things constantly. And so to not be curious, not want to learn new things and not create new patterns and connections…you’re pretty much giving up your human self.