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Wendell Potter on Deadly Spin

Today, because of the dig­i­tal media, big com­pa­nies are able to get their pro­pa­gan­da direct­ly to their tar­get audi­ences, as I was able to do. They can and they do pub­lish and dis­sem­i­nate their own press releas­es, and their own stud­ies, and their own posi­tion papers. All this means that the con­sumer is often, if not most of the time, at a big dis­ad­van­tage.

Jonny Sun and Jonathan Zittrain on Joke Tweets, Memes, and Being an Alien Online

I think I kind of have float­ed through the world feel­ing like an out­sider and feel­ing a bit like an alien, I guess. And along the way I’ve met so many oth­er peo­ple who have felt like that too, and I think this is a cel­e­bra­tion of that kind of diver­si­ty and of that kind of out­sider­dom.

The Things of the Internet
Reflections on Object Culture and Internet Culture

The Internet meme frame­work is a use­ful way to under­stand a cer­tain range of object pro­duc­tion, a cer­tain sort of infor­mal pro­duc­tion that com­bines net­worked modes of pro­duc­tion sim­i­lar to shanzhai or the hat print­ing, with the glob­al reach of the Internet and glob­al ship­ping ser­vices as well. The abil­i­ty to move bits and atoms with just as much ease and effi­cien­cy.

Nettrice Gaskins on Techno‐Vernacular Creativity and STEAM

I think the part that engages stu­dents that are from under­rep­re­sent­ed eth­nic groups is miss­ing. I think they don’t see them­selves reflect­ed, don’t see their inter­ests or their cul­tures reflect­ed, so they stay out­side of it even if it’s free, or even if it’s some­thing that is in their neigh­bor­hood.

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